Nº. 1 of  124

o wayward star

"She did not speak for she had no speech / She was a mermaid who had lost her way / Not knowing tears, she did not weep tears / Her eyes were the color of distant love."

slufoot:

“Life will break you. Nobody can protect you from that, and living alone won’t either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You are here to risk your heart. You are here to be swallowed up. And when it happens that you are broken, or betrayed, or left, or hurt, or death brushes near, let yourself sit by an apple tree and listen to the apples falling all around you in heaps, wasting their sweetness. Tell yourself you tasted as many as you could.”

— Louise Erdrich (via anditwasmonday)

(via journalofanobody)

I have no idea what priests
dream of on Christmas Eve, what prayer

a crippled dog might whine before the shotgun.
I have no more sense of what is sacred

than a monk might have, sweeping the temple
floor, slow gestures of honor to the left,

the right. Maybe the leaf of grass tells us
what is worthwhile. Maybe it tells us nothing.

Perhaps a sacred moment is a photograph
you look at over and over again, the one

of you and her, hands lightly clasped like you
did before prayer became necessary, the one

with the sinking cathedral in Mexico City rising up
behind you and a limping man frozen in time

to the right of you, the moment when she touched
your bare arm for the first time, her fingers

like cool flashes of heaven.

Lee Herrick: What Is Sacred (via grammatolatry)

(via grammatolatry)

Doesn’t Every Poet Write a Poem about Unrequited Love?

The flowers
I wanted to bring to you,
wild and wet
from the pale dunes

and still smelling
of the summer night
and still holding a moment or two
of the night crickets

humble prayer,
would have been
so handsome
in your hands–

so happy–I dare to say it–
in your hands–
yet your smile
would have been nowhere

and maybe you would have tossed them
onto the ground,
or maybe, for tenderness,
you would have taken them

into your house
and given them water
and put them in a dark corner
out of reach.

In matters of love
of this kind
there are things we long to do
but must not do.

I would not want to see
your smile diminished.
And the flowers, anyway,
are happy just where they are,

on the pale dunes,
above the cricket’s humble nest,
under the blue sky
that loves us all.

– Mary Oliver

I am making up the figure
of a woman; she is stringing together a rosary
of all those I have ever loved. I will wear it
like an amulet. Not admonishing-
the voices of the dead; just prayerful, urging me
on to the next thing. To try anything, in
faith, in trust.”
Pier Giorgio Di Cicco, from “The Poems the Dead Get

—(via ahuntersheart)

the first of all my dreams was of
a lover and his only love,
strolling slowly (mind in mind)
through some green mysterious land


until my second dream begins-
the sky is wild with leaves;which dance
and dancing swoop(and swooping whirl
over a frightened boy and girl)


but that mere fury soon became
silence:in huger always whom
two tiny selves sleep (doll by doll)
motionless under magical


foreverfully falling snow.
and then this dreamer wept:and so
she quickly dreamed a dream of spring
–how you and i are blossoming

—e.e. cummings 

Think not, not for a moment let your mind,
Wearied with thinking, doze upon the thought
That the work’s done and the long day behind,
And beauty, since ‘tis paid for, can be bought.
If in the moonlight from the silent bough
Suddenly with precision speak your name
The nightingale, be not assured that now
His wing is limed and his wild virtue tame.
Beauty beyond all feathers that have flown
Is free; you shall not hood her to your wrist,
Nor sting her eyes, nor have her for your own
In an fashion; beauty billed and kissed
Is not your turtle; tread her like a dove
She loves you not; she never heard of love.

Edna St. Vincent Millay

CANTICLE 6

by May Sarton

Alone one is never lonely: the spirit
             adventures, waking
In a quiet garden, in a cool house, abiding single there;
The spirit adventures in sleep, the sweet thirst-slaking
When only the moon’s reflection touches the wild hair.
There is no place more intimate than the spirit alone:
It finds a lovely certainty in the evening and the morning.
It is only where two have come together bone against bone
That those alonenesses take place, when, without warning
The sky opens over their heads to an infinite hole in space;
It is only turning at night to a lover that one learns
He is set apart like a star forever and that sleeping face
(For whom the heart has cried, for whom the frail hand burns)
Is swung out in the night alone, so luminous and still,
The waking spirit attends, the loving spirit gazes
Without communion, without touch, and comes to know at last
Out of a silence only and never when the body blazes
That love is present, that always burns alone, however steadfast.

fluttering-slips:

Special Problems in Vocabulary

There is no single particular noun
for the way a friendship,
stretched over time, grows thin,
then one day snaps with a popping sound.

No verb for accidentally
breaking a thing
while trying to get it open
—a marriage, for example.

No particular phrase for
losing a book
in the middle of reading it,
and therefore never learning the end.

There is no expression, in English, at least,
for avoiding the sight
of your own body in the mirror,
for disliking the touch

of the afternoon sun,
for walking into the flatlands and dust
that stretch out before you
after your adventures are done.

No adjective for gradually speaking less and less,
because you have stopped being able
to say the one thing that would
break your life loose from its grip.

Certainly no name that one can imagine
for the aspen tree outside the kitchen window,
in spade-shaped leaves

spinning on their stems,
working themselves into
a pale-green, vegetable blur.

No word for waking up one morning
and looking around,
because the mysterious spirit

that drives all things
seems to have returned,
and is on your side again.


TONY HOAGLAND

Nº. 1 of  124